1988. After years of having an interest in sans serif typefaces, the make use of the experience and stylistic developments of the twentieth century.

With the name Helvetica (Latin for Swiss), this font has the objective and functional style which was associated with Swiss typography in the 1950s and 1960s. It is perfect for international correspondence: no ornament, no emotion, just clear presentation of information. Helvetica is still one of the best selling sans-serif fonts.

Aldo Novarese designed Eurostile, but I remastered these by extending glyphs, multilingual support, added greek and cyrillic.

A thin, geometric sans-serif font with a modern look. This font features a clean, geometric design with thin strokes and a modern aesthetic. The characters are evenly spaced, with a uniform line weight that gives it a sleek and minimalist appearance. Ideal for modern branding, minimalist posters, and sleek editorial layouts.

Designed for the Stephenson Blake type foundry. A very heavy, narrow, sans serif face intended for use in newspapers, for headlines and in advertisements. Aptly named, this face has a very large "x" height with short ascenders and descenders.

A modern, geometric sans-serif font with clean lines. This font features clean, geometric lines with a modern and minimalist aesthetic. The characters are evenly spaced with a consistent stroke width, contributing to its legibility and sleek appearance. Ideal for branding, advertising, and editorial design projects.